- Really Really Free Chat Room (2020)
- Renew Earth Sweat Shop (2020)
- Ghost Story Campfire Night 4 (Love Edition) (2020)
- Every Step in The Right Direction (2019)
- Worcester Really Really Free Market (2019)
- Singapore Utopia (2019)
- Food, Lions and Zombies (2019)
- Master Tools (2019)
- Madou Sugar Industry Art Triennial (2019)
- UenoYes Ballon Days #3 (2019)
- Deathsong (2018)
- Artist Residency (2018)
- Leaving Room (2018)
- Your Mother Gallery Garage Sale (2018)
- Catalogue (2018)
- The Village (is) Kitchen (2017)
- Meta-graphy (2017)
- Tokyo Really Really Free Market (2017)
- Guerilla Art Hunt (2017)
- CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/17 (2017)
- SURVEY: SPACE, SHARING, HAUNTING (2016)
- MOVE WITH (OUT) Krisis (2016)
- The Kula Ring (2016)
- Der Kula Ring (2016)
- Public Art Festival (2016)
- Jakarta Biennale (2015)
- M.E.L.T.ING Project: Reviving from Melting and Ashes (2015)
- CULTUREHACKSG 1.0 (2015)
- Awaken the Dragon 2014 Exhibiton (2015)
- Unearthed (2014)
- Awaken the Dragon Festival 2014 (2014)
- More than [show] business: Post-Pop Up (2014)
- Awaken the Dragon Festival 2013 (2013)
- Untitled II (Dawu) (2013)
- Dialogue the Promise (2013)
- Untitled (Lions’ Dream) (2012)
- Busan Biennale (2012)
- Activist Care Centre (2011)
- Server Foundation: Indexes (2011)
- Structural Integrity (2010)
- Live and Let Live: Creators of Tomorrow (2009)
- Local_local (2009)
- Rowell Road Period (2007 – 2011 )
Work
Artists Investigating Monuments (AIM) was a project organised by the Artists Village (TAV) in Singapore in 2000, focusing on artistic responses at key heritage sites, including the Raffles Landing Site, Merlion Park, and Hong Lim Park. According to TAV, AIM aimed to re-present the original meanings of these sites while inviting new cultural imaginaries to emerge through the creation of new monuments with contrasting or affiliated practices concerning local cultural ideas.
Meet and Greet the Parallelism
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Artists Investigating Monuments (AIM) was a project organised by the Artists Village (TAV) in Singapore in 2000, focusing on artistic responses at key heritage sites, including the Raffles Landing Site, Merlion Park, and Hong Lim Park. According to TAV, AIM aimed to re-present the original meanings of these sites while inviting new cultural imaginaries to emerge through the creation of new monuments with contrasting or affiliated practices concerning local cultural ideas.