7.30pm CNY Cookies Networking Time.

8pm Start Sharing

Session will be in Mandarin and English.

Re-village: The Institution-specific Art and City-biopoesis
By Yves Chun-ta CHIU / Researcher of Art Archive Center in Taiwan, Independent curator

再聚落:後廢墟時代的機制特定創作與城市生發詩學
邱俊達/臺灣藝術檔案中心研究員、獨立策展人

Duration: 1.5-2hrs

The “village” is not only where people live but also the social units forming form different space quality and scale. The modern village reflects the flow of capital and the power of “plan” and “manage” to change the matters of space production of landscape strongly or smoothly.

The talk tries to start from the “post-ruin era” to discuss the bio-politics of ruin-space and ruin-man and conceive of a kind of city-biopoesis with an imagination of fluid and assembly village.

The typical ruin aesthetics see the born and death of a city as an irresistible force and teach us to learn to mourn the loss of landscape and memory for avoiding nostalgia. The perspective of post-ruin attempts to face the non-place especially the challenges that how art faces the ethical, public aesthetics and sustainable and right to city in the trend of city transformation globally. This poesis thus related to mapping, writing, directing of a place to explore the multi-histories and commons for re-village a practicing city, who immersed in it are not isolated subject and object but a “community” in relationships.

「聚落」(village)不僅是人們聚居的地方,更意味著在不同的空間質性與尺度所形成的社會單元。現代化的聚落,更反映著資本的流動,以及「規劃」與「管理」的介入力量下,造就地景劇或緩地改變的城市化與廢墟化的空間生產樣態。

本講題試圖從「後廢墟時代」的視角切入,結合自身的策展實踐與案例研究,來探討廢墟、廢地與廢人的「空間-生命政治」議題,以及一種浮動組裝的聚落想像所對應的城市生發詩學的構思。

一般廢墟美學多將城市的誕生與死亡的進程、改變視為不可抗力,並教導我們在面對地景與歷史記憶的失落中,學會哀悼以釋懷、獲慰,以免顯得過於鄉愁。後廢墟的視角,則意圖直面「非場所」(non-place)或「當代廢地」空間論題,特別是在全球文化城市轉型的趨向下,藝術如何面對倫理性、公共性、美學乃至永續性與都市權所交織出的種種挑戰。這種詩學,因此對應著地域圖繪、地誌書寫、地景轉變、地徑引動等方法的操演,來考掘場域中的複數歷史敘事、共享域(commons)乃至「再聚落」的實踐城市(practicing the city)行動,浸潤其中的都不再是個別的主體和客體,而是成為「群」的生命關係體。

About:
邱俊達,現為臺灣藝術檔案中心研究員、獨立策展人。1983年於高雄出生。2008年從哲學仿歐式象牙塔逃出,卻滑入當代藝術生態的廣闊泥沼,如今深陷其中。2017獲國立臺南藝術大學博士。從西方哲藝思想與大師創作獲得數不盡的天啟靈感,但比較喜歡聽自己的神說話。然後從事人們所謂策展、藝術評論、雜誌編輯與相關研究工作。長期關注如何從偽社會學方法描繪真實的社會形貌,從偽論述方法來進行知識生產,並且關心藝術創作如何與社會、與生活真正發生關係。

近三年重要展演經歷有 「約會的心態」(台灣當代一年展)、(台南齁空間)、「臺南中國城2018」(SeMA(Korea))、 「聆聽山與海的聲音-城市地景採集所」(太平國小)、「負育群帶聚落」(空總文化實驗室)、 「2019麻豆糖業大地藝術祭」(總爺藝文中心)、《共同史》(Le Lieu(Canada))、 「場所既視-下一代市場」(新富町文化市場)、 「arts in jetlae」(Cite internationale des art 1702M studio) 「地景遠眺-水交社中的南郊視野」(水交社文化園區) 、「 植變-身態園丁的療癒術 」(臺北中正區社會福利綜合大樓)。

Yves Chun-ta CHIU is an independent curator and researcher of Art Archive Center in Taiwan. He was born in 1983, Kaohsiung. He escaped from the ivory tower of philosophy in 2008 to enter into the field of contemporary art and has been deeply immersed in it ever since. He received his PhD. in Fine Arts from the Tainan National University of the Arts in 2017. He is very much inspired by the works of western philosophers, art theorists and masters, but prefer to listen to his own masters. He is interested in the methodologies of describing the real society by pseudo-sociology and the production of knowledge by pseudo-discursive. He is also concerned about how art practice is able to form relationships with society and life authentically.

Past three-year curatorial experiences include The Mindset of Verabredung, Tainan Chian Town 2018, Listening to the Mountain and Sea, Collective Negative Space Village, 2019 Madou Sugar Industry Triennial, Common story, Déjà vu: Re-Envisioning Market/Place, arts in jetlae, Landscape Observation – Seeing Nanjia from Tsuí-kau-siā, Transmutation: The Therapeutic Art of Gardeners.

[This is OutPost 236]

https://www.facebook.com/events/209756516733714/