{"id":2966,"date":"2020-09-03T17:17:22","date_gmt":"2020-09-03T17:17:22","guid":{"rendered":"https:\/\/post-museum.org\/root\/?page_id=2966"},"modified":"2020-09-03T17:17:22","modified_gmt":"2020-09-03T17:17:22","slug":"selected-cv","status":"publish","type":"page","link":"https:\/\/post-museum.org\/root\/selected-cv\/","title":{"rendered":"Selected CV"},"content":{"rendered":"

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Publications<\/strong><\/p>\n\n\n\n\n\t\n\t\n\t\n\t\n\t
2018:<\/td>Woon, T. W., & Teo, J. (2018). On being un-institutional: why independent art spaces should still pop up. In U. Meta Bauer & A. Rujoiu (Eds.), Place.Labour.Capital. (pp. 58-63). Singapore: NTU CCA Singapore & Mousse Publishing.<\/td>\n<\/tr>\n
2017:<\/td>Woon, T. W., & Teo, J. (2017). The Collective Moment: Post-Museum\u2019s Rowell Road Period In J. Luger & J. Ren (Eds.), Critical Artscapes \/ Resilient Artists: Worlding the Discussion on Art and Space. London: Routledge.
\n
\nWoon, T. W. (2017). Still Here Somehow: Artists and Cultural Activism in Singapore's Renaissance. [Online Journal]. Oncurating(35), 140.<\/td>\n<\/tr>\n
2016: <\/td>Woon, T. W., & Teo, J. (2016). Post-Museum in conversation with Susanne Bosch. In S. Bosch & H. B. Mendolicchio (Eds.), Transactions in the Field: Goethe Institute.<\/td>\n<\/tr>\n
2012: <\/td>Woon, T. W. (2012). Art in Knowledge-based Economy: Artist\/Cultural activist strategies in Singapore's Renaissance. (Doctorate of Creative Arts Thesis), Curtin University of Technology, Perth
\nhttp:\/\/espace.library.curtin.edu.au\/R\/?func=dbin-jump-full&object_id=188635&local_base=GEN01-ERA02
\n<\/td>\n<\/tr>\n
2010: <\/td>Czegledy, N., & Woon, T. W. (2010). Nina Czegledy and Woon Tien Wei. In S. Cook, B. Graham, V. Gfader & A. Lapp (Eds.), A Brief History of Working with New Media Art: Conversations with Artists (pp. 165-180). London: The Green Box.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

Reviews and writings on Post-Museum<\/strong><\/p>\n\n\n\n\n\t\n\t\n\t\n\t\n\t
2017:<\/td>Southeast Asia Research Trip: 83 Art Spaces in 9 Countries
\nNozomu Ogawa
\nJapan<\/td>\n<\/tr>\n
2016: <\/td>The Business Times Feb 6, 2016
\nPicture perfect picnics
\nby Rachel Loi and Tan Teck Heng
\nhttp:\/\/www.businesstimes.com.sg\/lifestyle\/food-drink\/picture-perfect-picnics
\n
\nThis is Singapore
\nTV programme
\nChannel U \/ Toggle
\nhttp:\/\/video.toggle.sg\/en\/series\/this-is-singapore\/ep4\/359253
\n
\nCreative Singapore, Paradoxes and Possibilities: The Geographies of Cultural Activism in an Authoritarian City-State
\nJason Luger
\nLondon
\n
\nSingapore: Censorship, Institutions, and Alternatives
\nJune Yap
\nSingapore
\n<\/td>\n<\/tr>\n
2015: <\/td>Creative Responses to Sustainability: Cultural Initiaties engaging with social and environmental issues
\nSingapore Guide
\nYasmin Ostendorf
\nAsia-Europe Foundation
\n
\nChallenges and Opportunities for the Diversity of Cultural Expressions in the Digital Era in Asia
\nLorraine Lim
\nUNESCO
\n
\nThe Work of Art in the Nation-State: Nostalgia and Politics in Contemporary Singapore
\nJarrod Sim
\nLondon<\/td>\n<\/tr>\n
2014: <\/td>Behind the Globalism: Sketches on Asian Contemporary Art 2009-2014
\nKuroda Raiji
\nJapan
\n
\nMobilizing Gay Singapore: Rights and Resistance in an Authoritarian State
\nLynette J. Chua
\nSingapore
\n<\/td>\n<\/tr>\n
2009:<\/td>Fukuoka Now Sept 2009
\nFukuoka Now Ltd
\nJapan
\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

Selected Group Shows<\/strong><\/p>\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
2017:<\/td>The Village (is) Kitchen
\nDameisha Village
\n7th Bi-City Biennale of Urbanism\\Architecture (UABB)
\nShenzhen, China
\n
\nMeta-graphy
\nDECK
\nSingapore
\n
\nMeta-graphy
\nMeme Gallery
\nTaipei, Taiwan
\n
\nTeratotera
\nMusashino Place
\nTokyo, Japan
\n
\nGuerilla Art Hunt
\nSungei Road Market
\nSingapore
\n
\nCITIES FOR PEOPLE NTU CCA Ideas Fest 2016\/17
\nNTU-CCA
\nSingapore
\n<\/td>\n<\/tr>\n
2016:<\/td>SURVEY: SPACE, SHARING, HAUNTING
\nThe Substation
\nSingapore
\n
\nMOVE W I T H (OUT) Krisis
\nNottingham Trent University
\nNottingham, UK
\n
\nThe Kula Ring
\nSingapore International Festival of Arts
\n72-13
\nSingapore
\n
\nDer Kula Ring
\nGoethe-Institut Kultursymposium
\nGalerie Eigenheim
\nWeimar, Germany
\n
\nPublic Art Festival
\nSingapore Art Club at Gillman Barracks
\nSingapore
\n<\/td>\n<\/tr>\n
2015:<\/td>Jakarta Biennale 2015
\nGudang Sarinah & Rusun Marunda
\nJakarta, Indonesia
\n
\nM.E.L.T.ING Project: Reviving from Melting and Ashes
\nTaipei Museum of Contemporary Art
\nTaipei, Taiwan
\n
\nCULTUREHACKSG 1.0
\nNUS Baba House
\nSingapore Art Week 2015, Singapore
\n
\nAwaken the Dragon 2014 Exhibiton
\nThe Agora
\nSingapore
\n<\/td>\n<\/tr>\n
2014:<\/td>Un-Earthed
\nSingapore Art Museum
\nSingapore
\n
\nAwaken the Dragon Festival 2014
\nVarious sites around Singapore
\nSingapore
\n
\nMore than [show] business: Post-PopUp
\nContemporary Center of Art
\nSingapore
\n<\/td>\n<\/tr>\n
2013:<\/td>Awaken the Dragon Festival 2013
\nVarious sites around Singapore
\nSingapore
\n
\nUntitled II (Dawu)
\nThe Artists Village Show
\nInstitute of Contemporary Art Singapore
\nSingapore
\n
\nDialogue the Promise
\nChiang Mai University Arts Centre
\nChiang Mai, Thailand
\n<\/td>\n<\/tr>\n
2012: <\/td>Untitled (Lions' Dream)
\nArtist's Caravan
\nSingapore
\n
\nBusan Biennale
\nBusan Museum of Art
\nBusan, South Korea
\n<\/td>\n<\/tr>\n
2011: <\/td>Activist Care Centre
\nShow Room, Post-Museum
\nSingapore
\n
\nServer Foundation: Indexes
\nOnline Project<\/td>\n<\/tr>\n
2010: <\/td>Structural Integrity
\nArts House Meat Market
\nNext Wave Festival
\nMelbourne, Australia<\/td>\n<\/tr>\n
2009:<\/td>Live and Let Live: Creators of Tomorrow
\nFukuoka Asian Art Museum (FAAM)
\n4th Fukuoka Asian Art Triennale
\nFukuoka, Japan
\n<\/td>\n<\/tr>\n
2008:<\/td>Local_local
\nCastlefield Gallery
\nAsian Art Triennial Manchester
\nManchester, UK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

Talks and Conferences<\/strong><\/p>\n\n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t
2018:<\/td>Independent Art Spaces in Singapore: A Conversation
\nSupernormal.sg
\nZarch Collaboratives
\nSingapore
\n
\nEDEN Conversations 004: Mapping Frontiers
\nBrack
\nZarch Collaboratives
\nSingapore
\n
\nInternational Conference of Sustainable Art: Creative Collaboration as Catalyst for Change
\nBamboo Curtain and Treasure Hill Artist Village
\nTaipei, Taiwan
\n
\nSite and Space in Southeast Asia
\nBukit Brown
\nSingapore
\n
\nCultural Industries and Intellectual Property in Southeast Asia
\nApplied Research for Intellectual Assets and the Law in Asia
\nNational Gallery Singapore
\nSingapore
\n<\/td>\n<\/tr>\n
2017: <\/td>The Art of Conviviality: Tools for Shared Values & Communities
\nBrack
\nSingapore Art Museum
\nSingapore
\n
\nCIMAM 2017 Annual Conference
\nCiMAM
\nNational Gallery Singapore
\nSingapore
\n
\nSIFA Seminar
\nBukit Brown
\nSingapore
\n
\nArtist Talk
\nSchool Of The Arts
\nSingapore
\n
\nArt and Activism in Singapore
\nYen Chow Street Hawker Bazaar
\nHong Kong
\n
\nAsia Pacific Conference on Civil Society Organization
\nHK Citizen
\nHong Kong
\n
\nCommunity Arts Roundtable
\nInstitute of Policy Studies
\nSingapore Art Museum
\nSingapore
\n
\nRemapping Arts, Heritage, and Cultural Production
\nAsia Research Institute
\nSingapore
\n
\nPublic Summit: Modalities of Exchange
\nIdeas Fest Cities For People
\nNTU-CCA
\nSingapore
\n<\/td>\n<\/tr>\n
2016: <\/td>ANCER Research Camp: Collective Creative Practices in Southeast Asia
\nLasalle College of the Arts
\nSingapore
\n
\nOne By One Metre Space Rough Tours
\nFlanuer Gallery
\nSingapore
\n
\nGuest Speaker for Spaces of the Curatorial. Printed Matter(s)
\nWorkshop led by Regina Maria Moeller
\nNanyang Technological University
\nSingapore
\n
\nGuest Speaker for Professional Practice Module
\nLasalle BA Fine Art
\nSingapore
\n<\/td>\n<\/tr>\n
2015:<\/td>TransActions in the Field
\nGoethe-Institut
\nKuala Lumpur, Malaysia
\n
\nBicara Titian Budaya: Forum on Engaging Singapore-Malaysia Artistic & Cultural Communities
\nBlack Box, Publika
\nKuala Lumpur, Malaysia
\n<\/td>\n<\/tr>\n
2014: <\/td>Curatorial Roundtable Public Talk Series
\nCurating Lab
\nSingapore
\n<\/td>\n<\/tr>\n
2013: <\/td>Artist-activists in Busan, KL and Singapore
\nLostgens
\nKuala Lumpur, Malaysia
\n<\/td>\n<\/tr>\n
2012:<\/td>2011 Asian Arts Space Network Meeting
\nKunsthalle Gwangju
\nGwangju, South Korea
\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

Publications \n\n\n\n\t\n\t\n\t\n\t\n\t
2018:<\/td>Woon, T. W., & Teo, J. (2018). On being un-institutional: why independent art spaces should still pop up. In U. Meta Bauer & A. Rujoiu (Eds.), Place.Labour.Capital. (pp. 58-63). Singapore: NTU CCA Singapore & Mousse Publishing.<\/td>\n<\/tr>\n
2017:<\/td>Woon, T. W., & Teo, J. (2017). The Collective Moment: Post-Museum\u2019s Rowell Road Period In J. Luger & J. Ren (Eds.), Critical Artscapes \/ Resilient Artists: Worlding the Discussion on Art and Space. London: Routledge.
\n
\nWoon, T. W. (2017). Still Here Somehow: Artists and Cultural Activism in Singapore's Renaissance. [Online Journal]. Oncurating(35), 140.<\/td>\n<\/tr>\n
2016: <\/td>Woon, T. W., & Teo, J. (2016). Post-Museum in conversation with Susanne Bosch. In S. Bosch & H. B. Mendolicchio (Eds.), Transactions in the Field: Goethe Institute.<\/td>\n<\/tr>\n
2012: <\/td>Woon, T. W. (2012). Art in Knowledge-based Economy: Artist\/Cultural activist strategies in Singapore's Renaissance. (Doctorate of Creative Arts Thesis), Curtin University of Technology, Perth
\nhttp:\/\/espace.library.curtin.edu.au\/R\/?func=dbin-jump-full&object_id=188635&local_base=GEN01-ERA02
\n<\/td>\n<\/tr>\n
2010: <\/td>Czegledy, N., & Woon, T. W. (2010). Nina Czegledy and Woon Tien Wei. In S. Cook, B. Graham, V. Gfader & A. Lapp (Eds.), A Brief History of Working with New Media Art: Conversations with Artists (pp. 165-180). London: The Green Box.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n Reviews and writings on Post-Museum \n\n\n\n\t\n\t\n\t\n\t\n\t
2017:<\/td>Southeast Asia Research Trip: 83 Art Spaces in 9 Countries
\nNozomu Ogawa
\nJapan<\/td>\n<\/tr>\n
2016: <\/td>The Business Times Feb 6, 2016
\nPicture perfect picnics
\nby Rachel Loi and Tan Teck Heng
\nhttp:\/\/www.businesstimes.com.sg\/lifestyle\/food-drink\/picture-perfect-picnics
\n
\nThis is Singapore
\nTV programme
\nChannel U \/ Toggle
\nhttp:\/\/video.toggle.sg\/en\/series\/this-is-singapore\/ep4\/359253
\n
\nCreative Singapore, Paradoxes and Possibilities: The Geographies of Cultural Activism in an Authoritarian City-State
\nJason Luger
\nLondon
\n
\nSingapore: Censorship, Institutions, and Alternatives
\nJune Yap
\nSingapore
\n<\/td>\n<\/tr>\n
2015: <\/td>Creative Responses to Sustainability: Cultural Initiaties engaging with social and environmental issues
\nSingapore Guide
\nYasmin Ostendorf
\nAsia-Europe Foundation
\n
\nChallenges and Opportunities for the Diversity of Cultural Expressions in the Digital Era in Asia
\nLorraine Lim
\nUNESCO
\n
\nThe Work of Art in the Nation-State: Nostalgia and Politics in Contemporary Singapore
\nJarrod Sim
\nLondon<\/td>\n<\/tr>\n
2014: <\/td>Behind the Globalism: Sketches on Asian Contemporary Art 2009-2014
\nKuroda Raiji
\nJapan
\n
\nMobilizing Gay Singapore: Rights and Resistance in an Authoritarian State
\nLynette J. Chua
\nSingapore
\n<\/td>\n<\/tr>\n
2009:<\/td>Fukuoka Now Sept 2009
\nFukuoka Now Ltd
\nJapan
\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n Selected Group Shows \n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
2017:<\/td>The Village (is) Kitchen
\nDameisha Village
\n7th Bi-City Biennale of Urbanism\\Architecture (UABB)
\nShenzhen, China
\n
\nMeta-graphy
\nDECK
\nSingapore
\n
\nMeta-graphy
\nMeme Gallery
\nTaipei, Taiwan
\n
\nTeratotera
\nMusashino Place
\nTokyo, Japan
\n
\nGuerilla Art Hunt
\nSungei Road Market
\nSingapore
\n
\nCITIES FOR PEOPLE NTU CCA Ideas Fest 2016\/17
\nNTU-CCA
\nSingapore
\n<\/td>\n<\/tr>\n
2016:<\/td>SURVEY: SPACE, SHARING, HAUNTING
\nThe Substation
\nSingapore
\n
\nMOVE W I T H (OUT) Krisis
\nNottingham Trent University
\nNottingham, UK
\n
\nThe Kula Ring
\nSingapore International Festival of Arts
\n72-13
\nSingapore
\n
\nDer Kula Ring
\nGoethe-Institut Kultursymposium
\nGalerie Eigenheim
\nWeimar, Germany
\n
\nPublic Art Festival
\nSingapore Art Club at Gillman Barracks
\nSingapore
\n<\/td>\n<\/tr>\n
2015:<\/td>Jakarta Biennale 2015
\nGudang Sarinah & Rusun Marunda
\nJakarta, Indonesia
\n
\nM.E.L.T.ING Project: Reviving from Melting and Ashes
\nTaipei Museum of Contemporary Art
\nTaipei, Taiwan
\n
\nCULTUREHACKSG 1.0
\nNUS Baba House
\nSingapore Art Week 2015, Singapore
\n
\nAwaken the Dragon 2014 Exhibiton
\nThe Agora
\nSingapore
\n<\/td>\n<\/tr>\n
2014:<\/td>Un-Earthed
\nSingapore Art Museum
\nSingapore
\n
\nAwaken the Dragon Festival 2014
\nVarious sites around Singapore
\nSingapore
\n
\nMore than [show] business: Post-PopUp
\nContemporary Center of Art
\nSingapore
\n<\/td>\n<\/tr>\n
2013:<\/td>Awaken the Dragon Festival 2013
\nVarious sites around Singapore
\nSingapore
\n
\nUntitled II (Dawu)
\nThe Artists Village Show
\nInstitute of Contemporary Art Singapore
\nSingapore
\n
\nDialogue the Promise
\nChiang Mai University Arts Centre
\nChiang Mai, Thailand
\n<\/td>\n<\/tr>\n
2012: <\/td>Untitled (Lions' Dream)
\nArtist's Caravan
\nSingapore
\n
\nBusan Biennale
\nBusan Museum of Art
\nBusan, South Korea
\n<\/td>\n<\/tr>\n
2011: <\/td>Activist Care Centre
\nShow Room, Post-Museum
\nSingapore
\n
\nServer Foundation: Indexes
\nOnline Project<\/td>\n<\/tr>\n
2010: <\/td>Structural Integrity
\nArts House Meat Market
\nNext Wave Festival
\nMelbourne, Australia<\/td>\n<\/tr>\n
2009:<\/td>Live and Let Live: Creators of Tomorrow
\nFukuoka Asian Art Museum (FAAM)
\n4th Fukuoka Asian Art Triennale
\nFukuoka, Japan
\n<\/td>\n<\/tr>\n
2008:<\/td>Local_local
\nCastlefield Gallery
\nAsian Art Triennial Manchester
\nManchester, UK<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n Talks and Conferences \n\n\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t
2018:<\/td>Independent Art Spaces in Singapore: A Conversation
\nSupernormal.sg
\nZarch Collaboratives
\nSingapore
\n
\nEDEN Conversations 004: Mapping Frontiers
\nBrack
\nZarch Collaboratives
\nSingapore
\n
\nInternational Conference of Sustainable Art: Creative Collaboration as Catalyst for Change
\nBamboo Curtain and Treasure Hill Artist Village
\nTaipei, Taiwan
\n
\nSite and Space in Southeast Asia
\nBukit Brown
\nSingapore
\n
\nCultural Industries and Intellectual Property in Southeast Asia
\nApplied Research for Intellectual Assets and the Law in Asia
\nNational Gallery Singapore
\nSingapore
\n<\/td>\n<\/tr>\n
2017: <\/td>The Art of Conviviality: Tools for Shared Values & Communities
\nBrack
\nSingapore Art Museum
\nSingapore
\n
\nCIMAM 2017 Annual Conference
\nCiMAM
\nNational Gallery Singapore
\nSingapore
\n
\nSIFA Seminar
\nBukit Brown
\nSingapore
\n
\nArtist Talk
\nSchool Of The Arts
\nSingapore
\n
\nArt and Activism in Singapore
\nYen Chow Street Hawker Bazaar
\nHong Kong
\n
\nAsia Pacific Conference on Civil Society Organization
\nHK Citizen
\nHong Kong
\n
\nCommunity Arts Roundtable
\nInstitute of Policy Studies
\nSingapore Art Museum
\nSingapore
\n
\nRemapping Arts, Heritage, and Cultural Production
\nAsia Research Institute
\nSingapore
\n
\nPublic Summit: Modalities of Exchange
\nIdeas Fest Cities For People
\nNTU-CCA
\nSingapore
\n<\/td>\n<\/tr>\n
2016: <\/td>ANCER Research Camp: Collective Creative Practices in Southeast Asia
\nLasalle College of the Arts
\nSingapore
\n
\nOne By One Metre Space Rough Tours
\nFlanuer Gallery
\nSingapore
\n
\nGuest Speaker for Spaces of the Curatorial. Printed Matter(s)
\nWorkshop led by Regina Maria Moeller
\nNanyang Technological University
\nSingapore
\n
\nGuest Speaker for Professional Practice Module
\nLasalle BA Fine Art
\nSingapore
\n<\/td>\n<\/tr>\n
2015:<\/td>TransActions in the Field
\nGoethe-Institut
\nKuala Lumpur, Malaysia
\n
\nBicara Titian Budaya: Forum on Engaging Singapore-Malaysia Artistic & Cultural Communities
\nBlack Box, Publika
\nKuala Lumpur, Malaysia
\n<\/td>\n<\/tr>\n
2014: <\/td>Curatorial Roundtable Public Talk Series
\nCurating Lab
\nSingapore
\n<\/td>\n<\/tr>\n
2013: <\/td>Artist-activists in Busan, KL and Singapore
\nLostgens
\nKuala Lumpur, Malaysia
\n<\/td>\n<\/tr>\n
2012:<\/td>2011 Asian Arts Space Network Meeting
\nKunsthalle Gwangju
\nGwangju, South Korea
\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2966","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/Parjs7-LQ","_links":{"self":[{"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/pages\/2966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/comments?post=2966"}],"version-history":[{"count":3,"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/pages\/2966\/revisions"}],"predecessor-version":[{"id":2971,"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/pages\/2966\/revisions\/2971"}],"wp:attachment":[{"href":"https:\/\/post-museum.org\/root\/wp-json\/wp\/v2\/media?parent=2966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}